A Platform for Girl Power

Spice Girls

My inner 3rd-grade self has recently resurfaced as the platform sneaker has hit the streets once again. Back in the mid-90’s the Spice Girls were the pop-culture sensation. Every girl my age wanted to be a Spice Girl. Whether you were into being just like Baby Spice or Ginger Spice, all of us have posed in pictures with peace signs in the air—a signature pose that the band used— and we would wear clothing according to whichever Spice Girl we related to the most. Baby Spice fans would fix their hair into pigtails and wear sundresses. Scary Spice fans would wear leopard. Sporty Spice fans would wear sneakers and athletic apparel. Posh Spice fans would act mysterious and pose sexily. The stereotyping went on.


It’s funny to me looking back on it now because at one point I really wanted a pair of platform sneakers; I thought it was the hottest in footwear. I’d stare at them through store windows—and admire them when I saw my girl-band heroes wear them in music videos. I’d pore through Pop magazine and clip out photos of the band and hang them on my bedroom wall.  My mom wouldn’t let me buy a pair which caused many tears and arguments. My hero Baby Spice wore them—why couldn’t I?


Today I see why my mom wouldn’t let me.

  1. It isn’t appropriate for a 3rd grader to wear platform shoes.
  2. They’re straight up ugly.

In hindsight as it usually works out, mom was right. My 3rd-grade self was wrong. But how was I supposed to understand? Just like how I didn’t understand the meaning behind the Spice Girl song 2-Become-1 when I was belting out the lyrics while my mom car-pooled me to YMCA cheerleading practice. Now I get it.

Put Your Best Foot Forward on Monday with Manolo Blahnik

A Foot in the Fashion Industry: Manolo Blahnik on Lifestyle and Inspirations

“Young man, do things. Do accessories. Do shoes,” the legendary Diana Vreeland advised a young Manolo Blahnik in 1971.

sjp manolo

 Such advice couldn’t have been greater to a creative artist like Manolo Blahnik. He had been going through a more confused time in his life, unsure of what creative direction to move in—and this advice sealed the deal. Anxiously, he moved forward and pursued the shoe-design field and created an entire fashion empire that did not exist before—adding couturier techniques and detail to ready-to-wear, high fashion footwear. Let’s take a peek into the artist’s views and muses.

Black Blahnik Red Blahnik Pink Blahnik

How did Blahnik become a shoe designer? “It was one of those accidents of life. I could just as well have been a milliner or fashion designer,” he said.  Diana Vreeland encouraged him to work on his footwear designs and to make it a reality—which in turn, created a new shoe empire that had never existed before he hit the scene. She told him to dump the costume design path, and to “concentrate on the funny little things on the feet.” And so he did just that.

Techniques behind designing shoes: “I’m not an intellectual,” he confesses, “but I am a voracious observer of people’s movements and attitudes in the past and now. I’m very curious and I belong to that group of people who use what they observe and let it come out through what they do.” Blahnik loves the past, reminiscent and idiosyncratic English style—which is why he claims London as his home base.

His fabulous clientele: “I design for confident women who know what they want.” When creating each individual shoe, Blahnik creates an imaginary scenario of what type of woman would wear the particular shoe. Whether it be a society woman in France that attends charity balls, or a woman that hosts dinner parties for her family on her back porch—he has each scenario dreamed up for the potential buyer.

Fashion mentor: “My aunt acted as a daily fashion mentor. I was so impressed by the way she carried herself.” She taught him how to hold himself as a sophisticated individual, and the ideals of elegance.

Favorite museum: Prado in Madrid

Energy source: Spoons full of sugar, literally. On a mere 4-5 hours of sleep a night on average, Blahnik is not much for food. He’ll open up a bag of sugar and get the energy needed to design such sweet, delicious shoe creations.

Practicality versus whimsicality: “Once in a while I try to design a shoe with an eye to practicality rather than beauty. It is always a failure. Then I do a whimsy, follow my instinct, and make a slipper of silk scraps and crocodile scales—and it sells.”

View of New York City: “I’m always happy in New York because I’m a medieval person and it is a totally medieval city. People live in towers and they come down to fight—for food, for carriages, to sell their wares.”

Well, isn’t that the truth?